NeonMarshmallow
2011 Chicago

June  10  11  12    Empty Bottle    Chicago
10  Lucky Dragons  White Rainbow  Rene Hell  Mountains  James Plotkin   Zerang | Colligan | Baker Trio   Spiral Joy Band  CVLTS  11  Pelt  Oneohtrix Point Never  Bill Orcutt  Sickness  Outer Space  Sword Heaven  Dylan Ettinger  Leslie Keffer  12  Morton Subotnick  The Rita  Pulse Emitter  Telecult Powers  Mike Shiflet  Sick Llama  Beau Wanzer  Tiger Hatchery  Film by  Experimental 1/2 Hour  Alice Cohen  Amy Ruhl  DJ sets   Beau Wanzer  John McEntire  Dave Quam  Visuals by   Loo Tapes  Theodore Darst  Aaron Zarzutzki  12 Sonic Celluloid  Sam Prekop  Lichens  David Daniell 


beau wanzer

Beau Wanzer (Official Site | Acid Marshmallow Video) began performing in late 2002 at various galleries and basement spaces around Chicago . The project consisted of a korg kr55, roland sh101, and juno 6. These performances were heavily influenced by early EBM and projects like SPK and Esplendor Geometrico. While pursuing a degree in Molecular Biology he worked at Weekend Records and Soap, a local shop ran by Bridgette Wilson and Jim Magas (Couch, Lake of Dracula , MAGAS). The shop's eclectic mix of Chicago house, dutch electro, no wave, mutant disco, and experimental DIY had a large impact on shaping his sound. A firm believer in combining these elements, his recording and live aesthetic relies strictly on analog synthesizers and drum machines, without the aid of samplers or midi. He is currently working on an EP for NATION.

Wanzer also has a side project with Traxx as MUTANT BEAT DANCE, which dabbles in the early inception of darker weirder electronic music from the early days of machine music. Having received high praise for their track 'In a Daze' on Disco Capablanca, they are continuing to produce tracks of variation and mutating styles. The duo just did a remix for Gavin Russom's "Night Sky" 12-inch, which came out Tuesday on DFA, the NYC dance label run by LCD Soundsystem's James Murphy. He is also a member of Streetwalker with Elon Katz of White Car.

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